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Iddari Katha - My Latest Short Film


narendranath

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naren bro, concept baagundi, but ah dialogues ki actor tone inka ekkuva unte it gets connected more, edo mana designer poree ani negative commenting seyyalekapotunna otherwise, she culd hav delivered it betta. ur work is good keep up vuu :police:


Police bhai
U R right
:)
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evvarinee discourage cheyyav ga baa nuvvu, u know da meaning of diplomacy :police:


Ala ani kadu.
May be I know it.
But meeru cheppina dantlo kuda nijam undi.

Actors could have acted well.

Ps: you are a sharp guy. :)
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[quote name="4Vikram" post="1307318248" timestamp="1439318372"]

already shared man.. my cousin is friends with your heroine as well @3$%[/quote
That's great
Good to know! :)

machi love story tho ra bhaiyya eesari, db motham maru mogi povali 

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:)

 

In the conversation scene at the bar, hero herione both are looking right, it conveys that they both are not actually looking at each other, left right principles choosuko maasteru

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:)

In the conversation scene at the bar, hero herione both are looking right, it conveys that they both are not actually looking at each other, left right principles choosuko maasteru


I have read all those principles.
Watched lots of Hollywood films too.

we switched the 180 degree rule.

For that to be done, the foreground has to be presented which gives an idea to the viewer, rather than just putting a close up.

The same was done by Quentin Tarantino in Pulp Fiction.
A journalist asks the same question.
He gives the same answer.
.which is true.
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I have read all those principles.
Watched lots of Hollywood films too.

we switched the 180 degree rule.

For that to be done, the foreground has to be presented which gives an idea to the viewer, rather than just putting a close up.

The same was done by Quentin Tarantino in Pulp Fiction.
A journalist asks the same question.
He gives the same answer.
.which is true.

If you don't mind, can you explain.. :)

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machi love story tho ra bhaiyya eesari, db motham maru mogi povali


Next cinema shoot aipoindi.
Meeku kavalsinavi anni untai.
Cinema ni akkadnunchi next level ki teskelle badhyatha needs.

I am very very confident about the content.
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I saw the  hero was on left, looking at right...

 

and saw heroine was also left( I thought it should be right) in a POV or a subjective shot..)

 

Then She is also looking at right which conveys... :3D_Smiles_38:

 

Not saying anything against, just want to understand.. if u meant something else..

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If you don't mind, can you explain.. :)


Yeah!
:)
180 degree rule is usually followed by all the cinematographers.
Camera in particular reflects the eye of the Director.
what he wants to show and convey.
Rules have been formed lately.

In the 180 degree rule, the characters donot switch their left and right positions randomly.
But you can switch their positions by cleanly eastablishing the foreground before the characters so that the viewer can ckeany undertaand who is to the right and who is to the left.
Watch Pulp Fiction for further reference.
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I saw the hero was on left, looking at right...

and saw heroine was also left( I thought it should be right) in a POV or a subjective shot..)

Then She is also looking at right which conveys... :3D_Smiles_38:

Not saying anything against, just want to understand.. if u meant something else..


Ya
Ya
I got it.
There were switches.
But then its a long conversation!
You can do that with a few conditions.
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Ya
Ya
I got it.
There were switches.
But then its a long conversation!
You can do that with a few conditions.

Basic rule is to maintain let right constant kada... unless there is any dynamic movement, akkada konchem shuffle ayindhi, but adhi normal audience cannot observe, but it  helps the flow of your narration if you keep them constant..

 

I liked your trolley shots i guess you used one :)

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Yeah!
:)
180 degree rule is usually followed by all the cinematographers.
Camera in particular reflects the eye of the Director.
what he wants to show and convey.
Rules have been formed lately.

In the 180 degree rule, the characters donot switch their left and right positions randomly.
But you can switch their positions by cleanly eastablishing the foreground before the characters so that the viewer can ckeany undertaand who is to the right and who is to the left.
Watch Pulp Fiction for further reference.

cool, will look into it, thanks..... 

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